origin story is always a fascinating thing. Back in 1998 nobody had heard
anything from SND besides a tiny, self-pressed EP entitled “Tplay” on their own
SND label. From there they attracted the attention of Mille Plateaux who helped
release their first three albums. Then there was nothing.
passed where SND remained dormant releasing the odd remix and compilation
track. They toured with Autechre, got heavily involved in art, and overall did
an excellent job bridging the gap between the dance floor and electronic
minimalism. Unable to comfortably fit under either they remained relatively
quiet as the genre they helped co-found (glitch) petered out towards the late 2000s.
It was only at that time that SND was able to come into its own.
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there SND released a triple EP (4,5,6) and began to become active again. Mark
Fell, who had been relatively busy with his own artistic practice, started
releasing solo albums at an alarming rate. Only then was SND ready to have its
follow-up fourth release, Atavism, on the highly lauded Raster Noton label.
Many were enthused by the new, stripped down, and freer version of SND that had
emerged after seven years of mostly silence.
then SND has kept itself busy with a number of projects, collaborations and
Mark Fell has spawned a new project (Sensate Focus) intended to further mess
with the template of house music. This means that there has never been a better
time to go full circle and re-issue the recording that brought them to where
they are today.
1:5” gives a fuller picture of the early experimentation of the SND project.
Included is more than nice re-masters of the original pieces (which honestly
would have been enough). As SND appears to be constantly fixated on offering a
full view of their work, they have transformed the reissue into a seventy
minute plus excursion into their earliest recordings, never before heard.
tracks give off a bit more of a club/dance floor friendly vibe than the
original EP material. Beginning with a nearly ten minute long track the album shows
off their early dub-influenced side. Other tracks possess a relatively
straightforward (for SND) view of what the marriage of minimalism and dance
music looked like early on in the project. Track three is one of the most
incredible tracks taking rather accessible structure and slowly manipulating it
into something that they could call their own. In fact track three offers one
of the most immediately accessible pieces on the entire collection, something
that would not be out of place on their debut album, “Makesnd Cassette”. Other
tracks go even further, showing off the sounds they would explore on their
underrated album “Stdio” like the light touch of track 6. Other pieces reflect
the best moments that they would explore in their painfully small number of EPs,
like track 7 which easily could have fit into their best EP “Travelog”.
the collection is greatly appreciated and hopefully SND can continue to bring
more of their early work out from the shadows.
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